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This article examines some reactions ofart critics in Colombia, in the mid-1940s, on the works ofthe painter Debora Arango. Through this way, some reflections are made on the relationship among morality, politics and the art work, in a society and a certain moment, from the standpoint ofsociological analysis.

Rosas Gallego, A. M. (2008). El arte moderno en Colombia en sus relaciones con la moral y la política: a propósito de la pintora Débora Arango. Sociedad Y Economía, (15), 37–60. https://doi.org/10.25100/sye.v0i15.4087